9,11 € – 27,34 €
The inclusion of Alexander Moyzes’ piano sonata alongside sonatas by Béla Bartók, Karol Szymanowski, and Bohuslav Martinů on a single CD encourages listeners to reflect on the similarities and differences in the musical thinking of composers who wrote piano sonatas in the first decades of the 20th century in Central Europe, in countries that are still culturally linked today through the Visegrad cooperation. In Central Europe, in countries that are still culturally linked today through the Visegrad cooperation.
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ALEXANDER MOYZES (1906 — 1984)
Sonata in E minor for piano, Op. 2 (1926 — 1927, 1942)
Sonáta e mol pre klavír, op. 2
1 I. Prealudium. Allegro comodo 03:44
2 II. Scherzo. Allegro vivace. 05:03
3 III. Adagio e fuga. Adagio semplice.
Allegro moderato un poco tenuto. 12:10
BÉLA BARTÓK (1881 — 1945)
Sonata for piano, BB 88, Sz. 80 (1926)
Sonáta pre klavír, BB 88, Sz. 80
4 I. Allegro moderato 04:36
5 II. Sostenuto e pesante 04:30
6 III. Allegro molto 03:44
KAROL SZYMANOWSKI (1882 — 1937)
Piano Sonata No. 3, Op. 36
Klavírna sonáta č. 3, Op. 36 (1917)
7 Presto 07:31
8 Adagio 04:06
9 Assai Vivace 01:11
10 Fuga 07:53
BOHUSLAV MARTINŮ (1890 — 1959)
Piano Sonata, H. 350 (1954)
Klavírna sonáta, H. 350
11 I. Poco Allegro 05:34
12 II. Moderato. Poco Andante 08:16
13 III. Adagio. Poco allegro 05:34
The Piano Sonata was a supreme challenge for Slovak composers. The creation of all the sonatas was accompanied by a Beethovenian struggle with invention, guided by the ideal of the demanding legacy of the piano sonata.
Vladimír Godár
The inclusion of Alexander Moyzes’ piano sonata alongside sonatas by Béla Bartók, Karol Szymanowski, and Bohuslav Martinů on a single CD encourages listeners to reflect on the similarities and differences in the musical thinking of composers who wrote piano sonatas in the first decades of the 20th century in Central Europe, in countries that are still culturally linked today through the Visegrad cooperation. In Central Europe, in countries that are still culturally linked today through the Visegrad cooperation.
Peter Pažický
Recorded on March 2025 in Concert Hall of the State Musical School in Jastrzębie – Zdrój (Poland)
Recorded in high definition format (352.8 kHz / 32 bit)
Stereo and 5 channel acoustic version in DXD format available at pavlikrecords.sk
Supported using public funding by Slovak Arts Council
Sound engineer Rostislav Pavlík
Music supervisory Peter Pažický
Graphic design Eva Turčáková
Text Peter Pažický, Vladimír Godár
Photo Juliana Tišťanová
Music Store – Sales and production of CD, mp3, flac, DXD, Recording studio, Music publishing
2025 © Pavlik Records
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